![]() ![]() Joe becomes emotionally involved in this situation keeping Emily on the line as he connects with the police station and the California Highway Patrol. She has clued Joe in that she is being abducted by pretending to call her daughter. "The Guilty" pivots on a particular call Joe receives from a woman named Emily (voiced by Riley Keough, " Zola"). A scene of him asking a caller to "breathe with me," as he tries to get them to calm down, is also very effective. When Joe is staring at an antacid, he is practically hypnotized, and when he is looking at his phone or his computer screens, he is laser-focused. He often repeats that the job of a police officer is to provide protection.įuqua shoots much of the film by focusing on Gyllenhaal's face, a terrific landscape, and the actor conveys his internal and external emotions with his eyes and his implacable expressions. And, as the film shows, he perhaps cares too much. ![]() He is a man not in control of his emotions. Joe is an anxious, raw nerve, and Gyllenhaal plays this toxic man with his typical intensity. She is not letting him speak to their daughter. His tone is particularly edgy when he tells an injured cyclist, "Call an Uber and don't bike drunk, asshole!" Yes, Joe is stressed with his upcoming trial, but he is also having issues with his wife Jess (voiced by Gillian Zinser), whom he has been separated from for six months. Wade (Christina Vidal) and coworker, Manny (Adrian Martinez). Joe's anger issues become more apparent, especially when he gets more hotheaded, lashing out at his colleagues, Sgt. But he quickly becomes impatient, as when a man (voiced by Paul Dano) calls about his laptop being stolen by a sex worker. A reporter from the Los Angeles Times keeps calling him, hoping to get a quote about his court appearance the next day, but Joe dismisses her.Īs Joe's shift begins - the film is set over the course of one long night - he answers 911 calls in a flat, affectless tone that exudes calm as he tries to help citizens. Joe is a Los Angeles police officer who has been demoted to desk duty while he awaits trial for an unspecified incident. Joe Baylor (Jake Gyllenhaal) is first seen using his inhaler in the gender neutral bathroom at the 911 dispatch facility where he is working. Both Fuqua and Gyllenhaal, working from a script by Nic Pizzolatto ("True Detective") give this relentless, claustrophobic drama their all, but, somehow, it is more phlegmatic than exciting. Moreover, it deals with another issue that is prominent in the news, that of the duties and responsibilities of the police. This compact story, about a 911 dispatcher who receives a distress call, is almost a one-man showcase for the actor ( Jake Gyllenhaal, who also produced). Director Antoine Fuqua's passable remake of the 2018 Danish film, "The Guilty," is a perfect film to shoot during COVID. ![]()
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